At only 16 years of age, Federico embarked on a journey of self-discovery after being exiled from Uruguay. His quest for an artistic identity has been a perpetual evolution. During these transformative travels, he created the Federico Nathan Project, a response to the profound changes he underwent throughout his journeys.

The upcoming concert on the 5th of November in the Matisse Club called “Diáspora,” reflects Federico’s relentless quest for artistic identity and personal transformation. It delves into the universal theme of diaspora, touching upon the experiences of those who have left their places of origin throughout history. It is a tribute to cultures worldwide, which acknowledges the victims of forced displacements and genocides.

“Diáspora” beautifully unites various musical genres and perspectives, putting together elements of jazz, Latin-American music, classical compositions, and popular tunes. By doing so Federico takes the audience on a journey from the Middle East to Eastern Europe, evoking a wide range of emotions. The repertoire also features the Suite “Salsipuedes,” a masterwork filled with striking contrasts that pays homage to indigenous Latin American culture, reimagined for a symphonic orchestra by Federico himself.

This concert promises an unforgettable experience that encapsulates the essence of diversity and the resilience of those who have faced displacement. Federico Nathan’s violin virtuosity, coupled with his dedication to bridging musical boundaries, ensures that “Diáspora” will be a night to remember, where cultures converge, stories are told, and emotions are evoked through the universal language of music. You cannot miss this captivating performance by one of the most promising talents in the music industry.

You can buy your entrees for the concert here: https://movingtickets.com/Entradas-Federico-Nathan-Project-concierto-en-Matisse-Club-Valencia/

 MATISSE CLUB

C/ de Campoamor, 60,

46022

Valencia

Phone: 685 24 00 14

Report by Konrad Leśniak

Article copyright ‘24/7 Valencia’