The Talia Theatre, packed to capacity, became the epicentere of a sonic and theatrical experience that transcends mere homage: ‘Piazzolla Universe’ is not simply a tribute, but a living recreation of the genius of the bandoneon. Produced by Analia Bueti, the show was presented with the skill and quality that characterizes her productions, even earning her the Marca País Argentina (Country Brand Argentina) distinction.

Juan Esteban Cuacci’s Musical Direction
The pianist and arranger displayed a virtuosity that bordered on the incendiary in pieces like ‘Adiós Nonino’. His ability to intertwine classical lyricism with jazz improvisation gave the work a renewed dimension, without betraying Piazzolla’s essence. Cuacci not only conducted, but also constructed a sonic tapestry in which each instrument found its place with surgical precision.

Eduardo Vasallo and Javier Cárdenas: A Dialogue Between Cello and Bandoneon
Cello player Vasallo offered an exquisitely ethereal performance, with phrasing that caressed the melody until it seemed weightless. For his part, Cárdenas infused the bandoneon with an energy that evoked the very presence of Piazzolla, achieving moments of genuine communion between past and present. Their collaboration was one of the emotional cornerstones of the evening.

The Voice of Analia Bueti
Bueti commanded the stage with impeccable dramatic progression. Her precise intonation and the power of her lower register resonated with the Valencian audience, especially in ‘Balada para mi muerte’ (Ballad for My Death), where the intensity of her performance reached a climax that drew tears and thunderous applause. The closing number, ‘Balada para un loco’ (Ballad for a Madman), unleashed collective euphoria, prompting an encore in a gesture of communion between artist and audience.

Dance as a Visual Counterpoint
The dancers contributed a theatrical component that, without overshadowing the music, enriched the narrative of the performance. The choreography of Oblivion stood out, where the bandoneon became the symbolic axis of the union of bodies, as did the denouement of Balada para un loco, with Bueti’s surprising soaring voice, which added a highly impactful theatrical nuance.

In summary,  ‘Universo Piazzolla’ achieved what few productions manage: a balance of musical rigour, interpretive emotion, and stage presence. There was neither excess nor deficiency; each element was integrated into an organic whole that revealed new dimensions of contemporary tango. The production not only paid homage to Piazzolla but reincarnated him in a current and vibrant language, making it clear that his legacy continues to expand in the hands of artists of this calibre. I believe it is the best tribute to Piazzolla  that the Valencian Community has probably ever experienced.

Report by 24/7 Valencia team

Article copyright ’24/7 Valencia’